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The following comes from Melissa Dalton-Bradford’s blog. It has been republished here with permission.
Draped neatly on nearly every Mormon temple altar I have ever seen is a white crocheted covering. I had always assumed that such coverings were a quaint nod to our pioneer heritage, those skilled Irish, Dutch, Welsh and Scandinavian hands that provided delicate handiwork to adorn my faith’s earliest temples. It wasn’t until loss ripped through me with H-Bomb force that my eyes were opened to see a deeper meaning.
It was a Thursday evening, one week to the hour from the tragic drowning accident that took our eldest son’s life, when my husband Randall and I, weak with grief and staggering under the molten lead weight of shock and sorrow, went to the LDS temple so that Randall could do what is a common but crowning rite in our faith; he would serve as proxy for our 18-year-old’s posthumous “endowment”, a bestowal of supreme blessings and promises conditioned upon faithfulness to the gospel.
We happened to also be asked in that session to serve as something we call “the witness couple,” meaning that we represented all others in attendance as we approached and knelt at an altar, the central feature of the room in which temple goers are seated and instructed. Freshly amputated as we felt, we scarcely had the energy to get up and approach the altar or even kneel at it, but managed to by bracing ourselves—torsos against and elbows upon—that holy, lace-covered altar.
I recall crying quietly, head hung. Dark spots of dampness pooled on lace geometry, I can see them still, and I can also hear the Spirit telling me, “This suffering is a similitude.” My heart cramped. “And this,” referring to the altar covering I was wetting with the blood of my soul, “is the community of Saints.” I focused on that handiwork throughout that evening, seeing it all as if for the first time. And in each of the subsequent temples I’ve visited in the years since our life was imploded, I have reflected intensely on the altar covering’s meaning.
What do I now see in those soft altars and in dainty altar cloths? I see these ten hard truths and endless thunderous power.
- I see that life is an altar, not a stage, as I had believed before I knew that I had zero control over life. That all my efforts to do the right would not and could not protect me from death in all its iterations. That God does not, in the strictest sense, protect us from life, but provides us with exactly enough strength through Christ that sorrow be transformed into joy, suffering into strength, death—the greatest evil— into life, and even life eternal.
- I see that our Christian covenant before anything else—before white shirts and ties, food storage, memorizing scripture, hosting elaborate youth theme nights—is one of connectivity, companionship, co-mourning and compassion. It is about stitching ourselves to each other in love. Alma, an ancient prophet featured in the Book of Mormon, offered this distilled truth when he taught that Christ’s disciples live to bear others’ burdens, mourn with them, comfort them, and to stand in for God in all things, times and places. (Book of Mormon, Mosiah 18:8-9)
- That any other expression of faith than the self-sacrificial and the other-rescuing risks becoming parochial, nothing more than navel-gazing, and ultimately lacks the substance that will create of our simple single threads Zion, and of our threadbare or shot-through selves, offspring truly like our Divine Parents.
- That extending our arms to one another knots — or knits—our hearts together, as we read in Mosiah 18:21. This intertwinedness results in a human fabric where each tatted patch represents a tattered and torn someone who is, through intimate, single stitches, held in our community and in turn in a greater, cosmic cloth.
- That knitting our hearts to one another doesn’t require that we be perfectly whole to begin with. In fact, those altar cloths provide an aerial view of all our broken bodies and punctured spirits. It’s in our reaching outward to catch others or to be caught by others as if with a fine crochet hook, that we are caught by God. The parallel miracle appears when, in our human reciprocal catching and knitting, God knits and mends our individual broken and punctured hearts.
- That our brokenness, while making us feel acutely poorer and more fragile, frayed or shot through, also provides open spaces where we can be caught by God. Sewn closer to God, we are far richer and exponentially more robust than we had been before.
- That such torn-to-pieces-hood, (William James’ translation of the German, “Zerissenheit”), is what we came to earth to know. We can, in our experiences with torn-to-pieces-hood rail and resist, rebel and rage. But we can also recognize that holes, not wholeness, invite holiness. Spaciousness invites the Spirit, and in His wounds we are healed, made whole.
- That altars are mourning benches, and mourning benches are places of reverence. When we seek to meet someone in their grief, we are treading on sacred ground. This call to compassion—to suffering alongside another—is not a time for perfection, but a moment of supernal authenticity. Any self-consciousness and perfectionist leanings do nothing to help the grieving. We bond on our broken, not on our polished, edges.
- That we ought to bear burdens first. (Mow the grief-stricken’s lawn, wash their car, take their children for three days.) Mourn next. (Jesus wept.) Comfort later. (“Comfort” means con+fortis, or “with strength.” Bring all your strengths.) And witness of God (roll out your sermon) only after you have done all of the above, and for much longer than you had ever imagined necessary.
- And I have learned that mourning, like kneeling at that altar, requires silence. The Jews sit seven days of shiva. We can begin with at least that. We need only to show up and sit in shared stillness. Indeed, altars are places of listening more than places of lengthy discourses. And real listening is more than a polite or professional act. It is total, imaginative focus requiring physical effort and divine inspiration. Listening to those who are suffering will teach all of us essential lessons in our shared humanity.
As Nicolas Wolterstorff, Yale Divinity School theology professor and bereaved father writes about altars and mourning benches:
“What do you say to someone who is suffering?
Some people are gifted with words of wisdom. For such, one is profoundly grateful. There were many such for us. But not all are gifted that way. Some blurted out strange, inept things. That’s OK too. Your words don’t have to be wise. The heart that speaks is heard more than the words spoken. And if you can’t think of anything at all to say, just say, “I can’t think of anything to say. But I want you to know that we are with you in your grief.” Or even, just embrace. Not even the best of words can take away the pain. What words can do is testify that there is more than pain in our journey on earth to a new day. Of those things that are more, the greatest is love. Express your love. How appallingly grim must be death of a child in the absence of love.
But please: Don’t say it’s not really so bad. Because it is. Death is awful, demonic. If you think your task as comforter is to tell me that really, all things considered, it’s not so bad, you do not sit with me in my grief but place yourself off in the distance from me. Over there, you are of no help. What I need to hear from you is that you recognize how painful it is. I need to hear from you that you are with me in my desperation. To comfort me, you have to come close. Come sit [or kneel] beside me on my mourning bench.”
—Wolterstorff , Lament for a Son, 34